阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

三抢匪加一个内应黑吃黑，抢了600公斤黄金用直升机运进现场时，因为另一名新加入的淘金女子要救走一名怀孕土着而延误，起飞时直升机被打中，飞到半途迫降后热带原始森林，企图以徒步方式运出时，被随后赶来的金矿组织沿途追杀的惊险暴力故事。

映画では、数多くのラジオ番組に投稿し“伝説のハガキ職人”と呼ばれたツチヤの半生が描かれる。

映画では、数多くのラジオ番組に投稿し“伝説のハガキ職人”と呼ばれたツチヤの半生が描かれる。

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. 　　NOTFILM is a feature-length experimental essay on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

A man, Vince, wakes up in the middle of a film shoot. He doesn't know what's going on or why he's there, but crew members tell him he's one of the actors in the film so he decides to just play along. During the shooting of one scene, one of the other actors, 122, accidentally kills most of the crew. Vince, 122 and the remaining crew decide to finish the film by themselves, even though there's no script, no sound equipment (they decide to make it a silent film) and no camera (they then decide to also make it a "blind" film). 　　Like his music, this first feature film of Quentin Dupieux (aka Mr. Oizo) is at the same time totally retarded and utterly brilliant. A calm yet demented piece of metafiction, examining the boundaries between film and reality in a dry, absurdly humorous way.

4.3 사건으로 상처 입은 제주도와 제주사람들... 　　그리고 지금 아프게 부서져 가는 강정마을의 이야기 　　제주시 애월읍 납읍에 살고 계신 강상희 할머니, 할머니의 남편 김봉수는 4.3으로 희생되었다. 해군기지 문제로 떠들썩한 서귀포시 강정마을. ‘4.3의 원혼이 통곡한다’ 와 같은 수많은 현수막이 제주 4.3과 해군기지 문제가 다르지 않음을 말한다. 카메라는 유령처럼 제주도 납읍리, 가시리, 강정마을, 일본 오사카 등을 돌며 그 흔적과 균열들을 드러내기 시작하고 다시 강상희 할머니가 혼자 살고 있는 집 앞마당으로 돌아온다. 언제부터인지 알 수 없지만 잠자리 밑에 녹슨 톱을 두고 살아온 할머니의 삶... 가늠할 수 없는 깊은 슬픔을 짊어진 제주도와 제주사람들의 삶에서 녹슨 톱은 언제쯤 치워질 수 있을까. 　　Focusing on Mrs. Kang sang-hee's life, she lost her husband in Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Is land, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

“春夏秋冬：四季交织时鸟的实况”部分，以春夏秋冬为时序，介绍日本的各种鸟类。 　　野鸟关键字”部分，分为饮水、游泳、整理羽毛、筑巢等部分，解说很少，主要让观众一一欣赏各种鸟类不同的活动姿态。 　　画面赏心悦目。对每种鸟的外形，花色和鸣叫声介绍得很详细，其他如生活习性等就比较简略。解说中时常表达观鸟者的心情和感受，是一个特点。

《Gagman》是一部有关劫案的动作喜剧，在片种及旁白的处理手法也极为崭新，李明世更巧妙地将主角电影意念融入于电影之中，成为一部难得的「戏中戏」作品。Lee Jong Sae (安圣基饰)失意于谐星表演，更不能完他的导演梦。他一直只有向理发师Mun Do Sok (Bae Chang Ho 饰)诉苦，Do Sok虽然曾希望自己当上演员，然而他就如Jong Sae一样，对前途不抱寄望。一天，他们遇上了失意却美丽动人的女艺人 Oh Son Yong (Hwang Shin Hyae饰)，她表示希望开拍一齣有关劫案的新浪潮电影，因此，此片让叁人陷入现实生活中万劫不复的劫案之中…… 　　幕后： 　　被外界评论为「韩国新电影的领军人物之一」、曾执导《Duelist》、《强捕》的李明世(Lee Myung Se)，他的首部电影《Gagman》DVD终于重生面世！继1987年为名导演裴昶浩 (Bae Chang Ho)为助理导演的《Our Sweet Days of Youth》，李明世再次夥拍男女主角于翌年拍出他的首部个人作品《Gagman》。 　　李明世，1957年8月21日出生于韩国汉城。高中时李明世开始对电影产生浓厚的兴趣。在汉城艺术学院修了两年的电影制作课程之後，他作为编剧和导演助理开始进入电影界。他曾经多次与裴昶浩导演合作，後者则在李明世1988年首部执导的电影中参与演出作为回报。他的第二部长片电影稳固了他作为导演的地位，为他在国内赢得了无数荣誉和奖项，并开创了「性战戏剧」的流派，为他在韩国电影界树立了主导地位。他的第叁部电影则颇具争议，在韩国的票房也不是很成功，但是越来越多的影评人开始关注这位导演，并认为他是韩国近年来不可多得的电影人才。